NATIVE AMERICANS
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NOTE: RECENTLY ADDED TITLES APPEAR IN RED.
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Benchley, N. (1994). Small
Wolf. Illustrated by J. Sandin. |
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A young Native American boy sets out to hunt on |
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Bruchac, J. (1999). Eagle
song. Illustrated by D. Andreasen. |
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Danny Bigtree’s family has moved to a new city, and
Danny can’t seem to fit in. He’s homesick for the Mohawk reservation, and the
kids in his class tease him about being an Indian, the thing that makes Danny
most proud. Can he find the courage to stand up for himself? (amazon.com) |
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Bruchac, J. (1997). Fox
song. Illustrated by P. Morin. |
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After the passing of her great-grandmother, a young
Indian girl recalls the times they spent together in a moving celebration of
the love between the young and the old and the beauty of the natural world. (amazon.com) |
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Creech, S. (1996). Walk
two moons. Illustrated by L. Desimini. |
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Alternately humorous, mysterious, and moving, an
exploration of the life of young Samantha Hiddle shows how she comes to
understand aspects of that life, including her feelings about her missing
mother, as she travels across country with her eccentric grandparents. (amazon.com) |
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George, J. C. (1974). Julie
of the wolves. Illustrated by J. Schoenherr. |
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Protected by a wolf pack while lost on the tundra, a
13-year-old Eskimo girl begins to appreciate her heritage and the oneness
with nature that modern man is destroying.
(amazon.com) |
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George, J. C. (1987). The
talking earth. |
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Billie Wind ventures out alone into the |
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Hudson, J. (1999). Sweetgrass.
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Living on the western Canadian prairie in the nineteenth
century, Sweetgrass, a fifteen-year-old Blackfoot girl, saves her family from
a smallpox epidemic and proves her maturity to her father. (card catalog) |
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Joosse, B. M. (1998). Mama,
do you love me? Illustrated by B. Lavallee. |
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A child living in the |
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Lacapa, K. (1999). Less
than half, more than whole. Illustrated by M. Lacapa. |
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Tony notices that his skin is darker than yellow-haired,
blue-eyed Scott’s, but lighter than that of his Native American friend, Will.
A well-designed effort, this title is for all children of multicultural
marriages who struggle to find an identity. It serves not only to illuminate
Indian culture, but also as a gentle celebration of mixed heritage. (amazon.com) |
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McCain, B. R. (2001). Grandmother’s
dreamcatcher. Illustrated by |
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When Kimmy has bad dreams, Grandmother shows Kimmy a
dreamcatcher, and with a twig, beads, feathers, and leather, they begin to
make one just for Kimmy. Will it work? Instructions for making a dreamcatcher
appear at the end of the book. (amazon.com) |
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Medearis, A. S. (1993). Dancing
with the Indians. Illustrated by S. Byrd. |
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While attending a Seminole Indian celebration, an
African American family watches and joins in several exciting dances. (card catalog) |
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Miles, M. (1985). Annie
and the old one. Illustrated by P. Parnall. |
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When Annie’s Navajo grandmother says that when Annie's
mother’s rug is completely woven that the grandmother will die, Annie tries
to hold back time by unweaving the rug in secret. (amazon.com) |
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Osofsky, A. (1992). Dreamcatcher.
Illustrated by E. Young. |
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In the land of the Ojibwa a baby sleeps, protected from bad dreams, as the life of the tribe goes on around him. (card catalog) |
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Oughton, J. (1997). Music
from a place called Half Moon. |
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In the summer of 1956, thirteen-year-old Edie Jo Houp,
of Half Moon, |
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Savageau, C. (1996). Muskrats
will be swimming. Illustrated by R. Hynes. |
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A heart-warming tale of the lesson a girl learns from a
Seneca creation story told to her by her grandfather--a lesson of knowing who
you are and staying strong in the face of hurtful criticism. Elegantly
illustrated, Muskrat Will Be Swimming is a treasure for all who have dealt
with the fear of being different.
(Borders.com) |
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Schick, E. (1996). My
Navajo sister. |
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A white girl lives for a short time on a reservation and
forms a close bond with a Navajo girl. (card
catalog) |
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Scott, A. H. (1996). Brave
as a mountain lion. Illustrated by G. Coalson. |
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When Spider’s teacher asks him to participate in the big
school spelling bee, Spider is terrified to go on-stage. His family, however,
offers him encouragement and tips on how to overcome his fears, and
eventually Spider places second in the contest. This gentle story of courage
takes place on a Shoshone reservation and is accompanied by warm watercolors
in grays and earth tones. (Horn Book,
1996) |
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Smith, C. L. (2002). Indian
shoes. Illustrated by J. Madsen. |
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What
do Indian shoes look like, anyway? Like beautiful beaded moccasins...or
hightops with bright orange shoelaces? Ray Halfmoon prefers hightops,
but he gladly trades them for a nice pair of moccasins for his Grampa. After
all, it’s Grampa Halfmoon who’s always there to help Ray get in and out of
scrapes -- like the time they are forced to get creative after a homemade
haircut makes Ray’s head look like a lawn-mowing accident. This collection of
interrelated stories is heartwarming and laugh-out-loud funny. Cynthia
Leitich Smith writes with wit and candor about what it’s like to grow up as a
Seminole-Cherokee boy who is just as happy pounding the pavement in windy |
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Smith, C. L. (2000). Jingle
dancer. Illustrated by C. Van Wright & Y. Hu. |
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Jenna, a contemporary Muscogee (Creek) girl in |
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Sneve,
V. D. H. (2007). Lana’s
Lakota moons. University of Nebraska.
(5-8) |
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“In the Lakota way,” Lori and
her cousin, Lana, are sisters, and while their parents work, the girls
spend much of the time together with Grandpa and Grandma High Elk. Lori,
quiet and obedient, is jealous of her lively cousin, a theme that plays out
in the background during the course of 12 Lakota moons, as the
girls celebrate Indian festivals and naming ceremonies, as well as
Christmas in church, and make friends with a new classmate, whose Hmong
family has arrived from Laos. The interweaving of traditional culture is
sometimes heavy-handed (“We, the Lakota, believe”), but the mix of Great
Plains history with the contemporary scene (including occasional e-mails)
rings true, whether in the Indians’ view of the buffalo, Custer’s Last Stand,
or the famous presidents enshrined at Mount Rushmore. Lori’s lively personal
narrative will draw readers as she copes with anger, guilt, sorrow, and,
finally, the loss of her sister, even as she realizes that, in the
Lakota way, the girls will always be connected. (Booklist) |
NON-FICTION:
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Aliki. (1986). Corn
is maize: The gift of the Indians. |
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A simple description of how corn was discovered and used by the Native Americans and how it came to be an important food throughout the world. (card catalog) |
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A photo-essay of the Native American’s celebration of
their heritage on the Crow Reservation in |
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Bealer, A. W. (1996). Only
the names remain: The Cherokees and the Trail of Tears. Illustrated
by K. Rodanas. |
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A young reader’s history of the tragic Trail of Tears
march from 1837 to 1838 describes the enforced journey of the Cherokee nation
from |
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Bial, R. (1998). The
Cherokee (Lifeways, Set 1). |
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Discusses the history, culture, social structure, beliefs, and notable people of the Cherokee Indians. (card catalog) |
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Bial, R. (2000). The
Cheyenne (Lifeways, Set 2). |
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Discusses the history, culture, social structure,
beliefs, and notable people of the |
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Bial, R. (2000). The
Comanche (Lifeways, Set 2). |
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Discusses the history, culture, social structure, beliefs, and notable people of the Comanche Indians. (card catalog) |
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Bial, R. (1998). The
Iroquois (Lifeways, Set 1). |
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Describes the history, social structure, and customs of the People of the Longhouse. (card catalog) |
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Bial, R. (1998). The
Navajo (Lifeways, Set 1). |
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Discusses the history, culture, beliefs, changing ways, and notable people of the Navajo. (card catalog) |
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Bial, R. (2000). The
Ojibwe (Lifeways, Set 2). |
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Discusses the history, culture, social structure, beliefs, and customs of the Ojibwe Indians. (card catalog) |
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Bial, R. (2000). The
Pueblo (Lifeways, Set 2). |
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Discusses the history, culture, beliefs, changing ways,
and notable people of the |
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Bial, R. (2000). The
Seminole (Lifeways, Set 2). |
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Discusses the history, culture, social structure, beliefs, and customs of the Seminole people. (card catalog) |
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Bial, R. (1998). The
Sioux (Lifeways, Set 1). |
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Examines the origins, beliefs, language, and culture of
the Sioux, also known as the Dakota Indians.
(card catalog) |
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Bonvillain, N. (1996). The
Cheyennes: People of the plains. |
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Examines the history, culture, way of life, and
contemporary problems of the |
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Bruchac, J. (1998). Many
nations: An alphabet of Native America. Illustrated by R. F. Goetzl. |
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From Anishinabe artists making birch bark bowls to Zuni elders saying prayers for the day that is done, the diversity of Native American cultures is simply presented in this unique alphabet book. Striking full-color paintings depict Native Americans living in harmony with their environment. (card catalog) |
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Carlson, L. (1994). More
than moccasins: A kid’s activity guide to traditional North American Indian
life. |
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Kids will discover traditions and skills from the people
who first settled this continent, including gardening, making useful pottery,
and communicating through Navajo codes.
(amazon.com) |
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Dewey, J. O. (1996). Stories
on stone; rock art, images from the ancient ones. |
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The author developed an early interest in Anasazi rock
art, both painted and carved, while she was growing up in |
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Erdosh, G. (1998). Food
and recipes of the Native Americans. |
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Describes the different kinds of food and methods of
cooking that had been common to Native Americans in each of five areas of the
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Freedman, R. (2001). In
the days of the vaqueros: America’s first true cowboys. |
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In this rousing account of the first true cowboys, Newbery Medalist Russell Freedman brings to life the days when the vaqueros rounded up cattle, brought down steers, and tamed wild broncos. In the service of wealthy Spanish conquistadors in the sixteenth century, Mexican ranch hands began herding cattle, often riding barefoot. They soon developed and perfected the skills for this dangerous work and became expert horsemen. Hundred of years later the vaqueros shared their expertise with the inexperienced cowboys of the American West, who adopted their techniques and their distinctive clothing, tools, and even lingo. Yet today it is the cowboy whom we remember, while the vaquero has all but disappeared from history. The vaqueros are at last given their due in this dramatic narrative, lushly illustrated with beautiful period paintings and drawings. (amazon.com) |
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Hucko, B. (1997). A
rainbow at night: The world in words and pictures. Illustrated by Navajo children. |
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Through the eyes of children, readers learn about some of the special traditions of Navajo life while discovering the universality shared by children of all backgrounds. Hucko offers insights into the Navajo culture and suggests art projects relating to each image that invite children of all ages and cultures to get out their art materials and create. (amazon.com) |
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Jeffers, S. (1993). Brother
Eagle, Sister Sky: A message from Chief Seattle. |
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A Suquamish Indian chief describes his people’s respect
and love for the earth, and concern for its destruction. (card catalog) |
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Kamma, A. (1998). If
you lived with the Cherokee. Illustrated by L. Gardner. |
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The third title in a series about Native American people,
this book reveals what it was like to grow up in a Cherokee family long ago.
Full-color illustrations by a Cherokee artist complement facts about Cherokee
games, language, dwellings, medicine, names, and more. (amazon.com) |
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Kamma, A. (1999). If
you lived with the Hopi. Illustrated by L. Gardner. |
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The history of the Hopi (meaning “wise and beautiful
people”) is explored through a series of questions and answers, such as
“Would you live in a teepee?” and “What did girls have to learn?” (amazon.com) |
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Kessel, J. K. (1986). Squanto
and the first Thanksgiving. Illustrated by L. Donze. |
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Describes how the
Indian Squanto, an English-speaking Christian and former slave, whose village
had been wiped out by smallpox, taught the Pilgrims the skills they needed to
survive the harsh Massachusetts winter. (card catalog) |
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Left Hand Bull, J. (1999). Lakota
Hoop-Dancer. Illustrated by S. Haldane. |
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Repeated strikes on the drum-like a heartbeat-and an intense, chantlike song draw people near. In the still, stubborn heat of a summer’s day, an American Indian man performs a breathtaking dance for an eager audience. (amazon.com) |
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Levine, E. (1999). If
you lived with the Iroquois. Illustrated by |
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Detailed, four-color paintings and a question-and-answer text bring to life the traditional life, customs, and everyday world of the Iroquois - one of the most powerful and influential of the Indian nations. (amazon.com) |
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Lucas, E. (1993). The
Cherokees: People of the Southeast. |
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Discusses the early history, beliefs, and daily life and customs of the Cherokee Indians, their daily interaction with white society, and the current status of the Cherokee Nation. (card catalog) |
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Provides an overview of the past and present lives of
the Apache people, covering their daily life, customs, relations with the
government and others, and more. (card
catalog) |
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Provides an overview of the past and present lives of
the Cherokee people, covering their daily life, customs, relations with the
government and others, and more. (card
catalog) |
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Provides an overview of the past and present lives of
the Comanche people, covering their daily life, customs, relations with the
government and others, and more. (card
catalog) |
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Discusses the Iroquois as a modern group with a unique
history and its own special practices and customs. (card catalog) |
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Provides an overview of the past and present lives of
the Ojibwa people, including daily life, customs, relations with the
government and others, and more. (card
catalog) |
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Provides an overview of the past and present lives of
the Pomo people, including daily life, customs, relations with the government
and others, and more. (card catalog) |
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Provides an overview of the past and present lives of
the Seminole people, including daily life, customs, relations with the
government and others, and more. (card
catalog) |
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McGovern, A. (1992). If
you lived with the Sioux Indians. Illustrated by J. S. Drew. |
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In
question-and-answer style, the author describes the daily life of the Sioux
before and after the coming of the white man. Boys and girls will be
surprised to know that each child had a second mother and father who helped
take care of him... that everyone had his own “medicine bundle” to keep
danger away... that the men sometimes had more than one wife... that a boy
was expected to hunt his first buffalo calf before he was ten years old.
They’ll discover what happened to someone who broke the rules of a tribe,
what was considered the bravest thing a Sioux Indian could do, and the ritual
ceremonies at which children were accepted as adults. In a final section the
author explains what is happening to these Indians today. (amazon.com) |
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Miller, J. (1997). American Indian festivals. |
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Briefly describes some of the customs and practices
related to festivals celebrated in various North American Indian cultures. (Borders.com) |
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Simmons, M.
(2004). Friday
the Arapaho boy: A true story from history. Illustrated by R. Kil. |
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By the Anglos’
calendar it was the last week of May 1831 and the Arapahos were camped beside
the |
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Steedman, S. (1997). How
would you survive as an American Indian? |
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A second-person narrative invites readers to imagine
themselves transported back through time to the heyday of the Plains Indians.
Readers are provided with facts about food, clothing, dress, and customs. (Horn Book, 1996) |
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Stein, R. C. (1993). The
trail of tears. |
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Describes the
Federal government’s seizure of Cherokee lands in |
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Tapahonso, L. (1999). Navajo
ABC: A Dine alphabet book. Illustrated by |
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A simple alphabet book describes aspects of Navajo life,
joining A with Arroyo, B with Belt, C with Cradleboard, and so on, in an
introduction to one of the largest Native American tribes in the |
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Weber, E. N. R. (2004). Rattlesnake
Mesa: Stories from a Native American Childhood. Photographs by R.
Renkun. Lee & Low. (4-8) |
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Weber’s memoir of growing up
in the early 1900s brings readers into the thoughts and surroundings of her
eight-year-old self with humor and sincerity. When her grandmother died, her
father took her to live with him at Crown Point Indian Agency on the Eastern
Navajo Reservation. At the school there, she witnessed boys being beaten with
a horsewhip, which haunted her. "I carried a mortal shame, fear, and hurt
away with me.” Just as she started to
feel at home at |
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Baker, O. (1985). Where
the buffaloes begin. Illustrated by |
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After hearing the legend retold by the tribe's oldest
member, Little Wolf hopes to someday witness the beginning of the buffaloes
at the sacred lake. (card catalog) |
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Bierhorst, J. (2000). The
people with five fingers: A native Californian creation tale.
Illustrated by R. A. Parker. |
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Luminous watercolors and a concise text work together to
capture the humor and insight of Native American storytellers in this
engaging creation tale from |
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Bierhorst, J. (1999). The
woman who fell from the sky: The Iroquois story of creation.
Illustrated by R. A. Parker. |
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A fresh, authoritative retelling of the Iroquois creation
story, in which the world as we know it today begins with a woman who fell
from the sky and her two small children. Robert Andrew Parker’s luminous
paintings add spectacular details to this simple, yet profound, tale of our
beginnings and of the mystery and harmony of the universe. (amazon.com) |
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Bruchac, J. (1999). Between
earth and sky: Legends of Native American Sacred Places. Illustrated
by T. Locker. |
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With grace and drama, Abenaki poet Joseph Bruhac retells
traditional native legends of ten of |
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Bruchac, J. (1995).
Flying with the eagle, racing the great bear: Stories from Native North America. Illustrated by M.
Jacob. |
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Drawn from 16 Native North American cultures, this
collection of authentic tribal tales focuses on a theme of universal
appeal--the rite of passage from boyhood to manhood. At the heart of each
story lies an exciting adventure and a journey toward self-discovery. (amazon.com) |
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Bruchac, J. &
Bruchac, J. (2003). How
Chipmunk got his stripes. Illustrated by J. Aruego & A Dewey. |
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The Bruchacs, famous for their Native American folklore
retellings, have joined forces with the best-selling illustration team of
Aruego and Dewey to create a buoyant picture book teeming with surprises,
glowing colors, and big, boastful fun! When you tease someone, you
might just end up with more than you bargained for! Brown Squirrel is very
small, but that doesn’t keep him from
saying what’s on his mind. When Big Bear brags that he can do anything,
Squirrel challenges him to keep the sun from rising the next morning. The sun
comes up, of course, and Squirrel can’t resist the mean urge to tease. But
soon Big Bear teaches him a hard lesson: The new claw marks down Brown
Squirrel’s back will be a permanent reminder of his bad behavior! And
henceforth, Brown Squirrel will be known as Chipmunk, “the striped one.” (amazon.com) |
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Bruchac, J. &
Caduto, M. J. (1999). Keepers
of the Earth: Native American stories and environmental activities for children.
Illustrated by J. K. Fadden & C. Wood. Golden, CO: Fulcrum. (4-6) |
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A selection of traditional tales from various Native
American peoples, each accompanied with instructions for related activities
dealing with the environment. (card catalog) |
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Bruchac, J. &
Caduto, M. J. (1994). Keepers
of the night: Native American stories and nocturnal activities for children.
Illustrated by J. K. Fadden & C. Wood. Golden, CO: Fulcrum. (4-6) |
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Eight Native American stories and nighttime artistic and
scientific activities teach children about astronomy and nocturnal weather,
plants, and animals, helping them to develop a caring, constructive
relationship with nature and the out-of-doors. (amazon.com) |
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Bruchac, J.
& Bruchac, J. (2004). Raccoon’s
last race: A traditional Abenaki story. Illustrated by J. Aruego
& A. Dewey. Dial. (K-4) |
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Long ago, Azban the Raccoon loved to race on his long
legs. He was the fastest of all the animals, but he was also the most
conceited. When the other animals grew tired of his attitude, Azban chose Big
Rock as his next opponent. But, busy taunting instead of running, Azban
tripped . . . and Big Rock flattened him--splat! Only the ants would help
stretch Azban out again--as long as he promised to be their friend. Did Azban
keep this promise? Is the raccoon still the fastest of all the animals? In
this lively, funny romp, the team that created How Chipmunk Got His Stripes and Turtle’s Race with Beaver once again captures the fun and energy of
traditional Native American stories. This time, they have chosen an Abenaki
tale that warns against arrogance and honors the importance of keeping your
promises. (amazon.com) |
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Bruchac, J. (1995). The
boy who lived with the bears and other Iroquois stories. |
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In this collection of animal tales, the reader will meet
clever Rabbit, hungry Fox, vain Buzzard, smart Chipmunk and a young Boy, who
finds love with a family of bears. These tales celebrate the tradition of
storytelling with glorious depictions of nature and humorous accounts of
lessons learned. (amazon.com) |
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Bruhac, J. (1998). The
first strawberries: A Cherokee story. Illustrated by A. Vojtech. |
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A quarrel between the first woman and the first man is
reconciled when the Sun causes strawberries to grow out of the Earth. (card catalog) |
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Bruchac J.
& Bruchac, J. (2008). The
girl who helped thunder and other Native American folktales. Illustrated by |
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Welcome the second book in the
Folktales of the
World series! Engaging, inspirational, and
above all entertaining, these legends come from Native American peoples
across the U.S. Richly illustrated with original art, they capture a wide
range of belief systems and wisdom from the Cherokee, Cheyenne, Hopi, Lenape,
Maidu, Seminole, Seneca, and other tribes. The beautifully retold tales, all
with informative introductions, range from creation myths to animal fables to
stirring accounts of bravery and sacrifice. Find out how stories first came
to be, and how the People came to the upper world. Meet Rabbit, the clever
and irresistible Creek trickster. See how the buffalo saved the Lakota
people, and why the Pawnee continue to do the Bear Dance to this very day. |
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Bruchac, J. & Ross,
G. (1996). The
girl who married the moon: Tales from Native North America.
Illustrated by S. S. Burrus. |
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A companion volume to Bruchac’s Flying with the Eagle, Racing the Great Bear,
this anthology focuses on the role of women in traditional Indian cultures.
Culled from 16 Native North American cultures, these traditional tribal tales
dwell on the time in a young girl’s life when she discovers she is becoming a
woman. (amazon.com) |
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Bruchac, J. (1994). The
great ball game: A Muskogee story. Illustrated by S. L. Roth. |
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With characteristic action and wit, renowned Native
American storyteller Bruchac retells the amusing and rousing folktale of an
epic ball game between the Birds and the Animals, which offers the
explanation as to why birds fly south every winter. Roth’s brilliant collage
art enhances the story. (amazon.com) |
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Bruchac, J. (1995) &
Ross, G. The
story of the Milky Way: A Cherokee tale. Illustrated by V. Stroud. |
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The legend of the Milky Way tells of an elderly couple
who lived long ago. One day they discovered that a giant spirit dog had
stolen some of their cornmeal and drove the dog from the village into the
night sky. The band of stars that formed in its wake is the Milky Way. (amazon.com) |
|
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|
Bruchac, J.
& Bruchac, J. (2005). Turtle’s
race with Beaver. Illustrated by J. Aruego & A. Dewey. Puffin.
(1-3) |
|
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|
When Beaver challenges Turtle
to a swimming race for ownership of the pond, Turtle outsmarts Beaver, and
Beaver learns to share. (card catalog) |
|
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Casler, L. (1994). The
boy who dreamed of an acorn. Illustrated by |
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|
A powerful story based on the Native American rite known
as the spirit quest. One night, beneath the yellow moon, three boys climb the
slopes of a great mountain. There, each boy hopes to dream a dream that will
symbolize the path he will take through life. One boy dreams only of a tiny
acorn, and wonders what power this common thing could possibly hold for him. (Borders.com) |
|
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Cohen, C. (1992). The
mud pony. Illustrated by |
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A poor boy becomes a powerful leader when Mother Earth
turns his mud pony into a real one, but after the pony turns back to mud, he
must find his own strength. (card catalog) |
|
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|
Cohlene, T. (1991). Clamshell
boy: A Makah legend. Illustrated by C. Reasoner. |
|
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|
Retells the legend of Clamshell Boy, who rescues a
captured group of children from the dreaded wild woman Ishcus. Includes
information on the customs and lifestyle of the Makah Indians. (card catalog) |
|
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Cohlene, T. (1991). Dancing
drum: A Cherokee legend. Illustrated by C. Reasoner. |
|
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|
Retells the Cherokee legend in which Dancing Drum tries
to make Grandmother Sun smile on the People again. Also describes the
history, culture, and fate of the Cherokee Indians. (card catalog) |
|
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Cohlene, T. (1991). Little
Firefly: An Algonquian legend. Illustrated by C. Reasoner. |
|
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|
A retelling of the Algonquian Indian legend of how a
young girl, badly mistreated by her sisters, becomes the bride of the great
hunter known as the Invisible One. Includes information on the history and
customs of the Algonquian Indians. (card
catalog) |
|
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Cohlene, T. (1991). Quillworker:
A Cheyenne legend. Illustrated by C. Reasoner. |
|
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A |
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Cohlene, T. (1991). Turquoise
boy: A Navajo legend. Illustrated by C. Reasoner. |
|
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A retelling of a Navajo Indian legend in which Turquoise
Boy searches for something that will make the Navajo people’s lives easier.
Includes a brief history of the Navajo people and their customs. (card catalog) |
|
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Dabcovich, L. (1999). The
polar bear son: An Inuit tale. |
|
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|
A lonely old woman adopts, cares for, and raises a polar
bear as if he were her own son, until jealous villagers threaten the bear’s
life, forcing him to leave his home and his “mother”, in a retelling of a
traditional Inuit folktale. (amazon.com) |
|
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dePaolo, T. (1996). The
legend of the bluebonnet. |
|
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|
This favorite legend, based on Comanche lore, tells the
story of how the bluebonnet, the state flower of |
|
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|
dePaolo, T. (1996). The
legend of the Indian paintbrush. |
|
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|
Little Gopher follows his destiny, as revealed in a
dream-vision, of becoming an artist for his people and eventually is able to
bring the colors of the sunset down to earth. (card
catalog) |
|
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|
French, F. (1997). Lord
of the animals: A Miwok Indian creation myth. |
|
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|
In a beautifully illustrated retelling of a Native
American creation myth, Coyote convenes a council of the animals to discuss
his ideas for a superior being who will rule over all creation. (amazon.com) |
|
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Goble, P. (1998). Adopted
by the eagles: A Plains Indian story of friendship and treachery. |
|
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|
Stunning full-color portraits of the wildlife and
landscapes of the |
|
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Goble, P. (1987). Buffalo
woman. |
|
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|
A young hunter marries a female buffalo in the form of a beautiful maiden, but when his people reject her he must pass several tests before being allowed to join the buffalo nation. |
|
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Goble, P. (1995). Crow
Chief: A Plains Indian story. |
|
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Crow Chief always warns the buffalo that hunters are
coming, until Falling Star, a savior, comes to camp, tricks Crow Chief, and
teaches him that all must share and live like relatives together. (card catalog) |
|
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Goble, P. (1997). Dream
Wolf. |
|
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|
When two Plains Indian children become lost, they are
cared for and guided safely home by a friendly wolf. (card catalog) |
|
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Goble, P. (1992). Iktomi
and the berries: A Plains Indian story. |
|
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Relates Iktomi’s fruitless efforts to pick some buffalo
berries. (card catalog) |
|
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Goble, P. (1991). Iktomi
and the boulder. |
|
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|
Iktomi, a Plains Indian trickster, attempts to defeat a
boulder with the assistance of some bats, in this story which explains why
the Great Plains are covered with small stones. (amazon.com) |
|
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Goble, P. (1996). Iktomi
and the buffalo skull: A Plains Indian story. |
|
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|
Iktomi, the Plains Indian trickster, interrupts a powwow
of the Mouse People and gets his head stuck in a buffalo skull. (card catalog) |
|
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Goble, P. (1994). Iktomi
and the ducks: A Plains Indian story. |
|
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|
After outwitting some ducks, Iktomi, the Indian
trickster, is outwitted by Coyote. (card
catalog) |
|
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Goble, P. (1993). Her
seven brothers. |
|
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|
Retells the |
|
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Goble, P. (1999). The
gift of the sacred dog. |
|
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|
In response to an Indian boy's payer for help for his hungry people, the Great Spirit sends the gift of the Sacred Dogs, horses, which enable the tribe to hunt for buffalo. |
|
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Goble, P. (1999). The
girl who loved wild horses. |
|
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Though she is fond of her people, a girl prefers to live
among the wild horses where she is truly happy and free. (card catalog) |
|
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Goble, P. (2002). The
legend of the white buffalo woman. |
|
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|
In this picture book for older readers, Goble uses his
characteristic decorative paintings to help retell an important sacred legend
of the Lakota people. He describes a great flood, which killed almost all
life on the earth, and relates how the nation came to be born again from the
union of a woman of the earth and an eagle of the sky. He then explains how
the people came upon hard and frightening times and tells of the arrival of
the powerful White |
|
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Goble, P.
(2003). Mystic
horse. HarperCollins. (1-3) |
|
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|
Adapted from a Pawnee story
recorded in 1889, this magical tale tells of a poor boy and his grandmother
who rescue a sickly horse. When an unnamed tribe attacks, the horse tells the
boy to cover him in mud and ride directly into the enemy: "But do not do
it more than four times!” When the boy attacks a fifth time, an arrow kills
the animal. While in mourning, the boy sees the dead horse rise and head to
the place of the spirit animals. Later, the animal returns with enough horses
for the boy, his grandmother, and others in need. The ink, watercolor, and
gouache paintings make full use of color, texture, and form, both in the
minutely detailed naturalistic flora and fauna and in the exquisite abstract
patterning. A lovely rhythm makes the story good for reading aloud, and the
pictures will definitely stand up to repeated examination. Goble, who has
studied Plains cultures deeply, provides clear notes and references to his
work. (Booklist) |
|
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|
Martin, R. (1997). The
eagle’s gift. Illustrated by T. Kiuchi. |
|
|
|
After Marten’s two brothers disappear, Marten sets off
to find them with the help of a magical eagle that guides him along the way
while teaching him important lessons of life, in a traditional Innuit Alaskan
tale. (amazon.com) |
|
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|
Martin, R. (1998). The
rough-face girl. Illustrated by D. |
|
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|
In this Algonquin Indian version of the Cinderella
story, the rough-face girl and her two beautiful but heartless sisters
compete for the affections of the Invisible Being. (card catalog) |
|
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|
McDermott, G. (1977). Arrow
to the sun: A Pueblo Indian tale. |
|
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|
A |
|
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McDermott, G. (1999). Coyote:
A trickster tale from the American Southwest. |
|
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|
Coyote, who has a nose for trouble, insists that the
crows teach him how to fly, but the experience ends in disaster for him. (card catalog) |
|
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McDermott, G. (2001). Raven:
A trickster tale from the Pacific Northwest. |
|
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|
Raven, a native American trickster, must figure out a
way to steal the light from the house of the Sky Chief where it is hidden and
bring it to the world. (amazon.com) |
|
|
|
McDermott, G. (1996). Zomo
the rabbit: A trickster tale from Africa. |
|
|
|
Zomo the rabbit, a West African trickster, is given
three apparently impossible tasks to complete before the Sky God will give
him the wisdom that Zomo seeks, in a colorful version of a traditional tale
from West Africa. (amazon.com) |
|
|
|
Oughton, J. (1996). How
the stars fell into the sky: A Navajo legend. Illustrated by L.
Desimini. |
|
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|
A Navajo myth explaining the constellations in the sky. (card catalog) |
|
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|
Pollock, P. (1996). The
Turkey Girl: A Zuni Cinderella story. Illustrated by E. Young. |
|
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|
A young girl who tends turkeys for a living dreams of going to the Dance of the Sacred Bird. But how can a poor girl with tattered clothing ever hope to attend such a festival? One day, to her amazement, one of the turkeys offers to help and makes a magical gown of feathers and jewels. But there’s a stipulation: the girl must return home before the first rays of the sunrise – or the turkeys will abandon her forever. (amazon.com) |
|
|
|
San Souci, R. D. (1997).
Sootface:
An Ojibwa Cinderella story. |
|
|
|
In a Native American version of the Cinderella story,
two lazy sisters force Sootface, their younger sister, to do all the
housework, but when a mighty warrior seeks a kind and honest wife, it is
Sootface he chooses. (amazon.com) |
|
|
|
Stevens, J. (1994). Coyote
steals the blanket: A Ute tale. |
|
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|
Coyote receives his comeuppance when he tries to take
something that does not belong to him. (amazon.com) |
|
|
|
Taylor, C.
J. (2006). All
the stars in the sky: Native stories from the heavens. Tundra. (2-4) |
|
|
|
Drawing from several North
American tribal traditions, Taylor offers seven memorable stories that
explain the "skyworld.” From a
story about Coyote creating the Big Dipper to a selection about Grandmother
bringing light to the world, these easy-to-understand, thought-provoking
tales range from funny to instructional to inspirational. Each tale is
illustrated with a colorful full-page painting that adds visual appeal.
Taylor, of Mohawk heritage, explains more about the tales in an afterword and
expresses her hope that the selections will awaken children’s wonder in the
night skies. No source notes are provided, although each tale is attributed
to a specific tribe. (Booklist) |
|
|
|
Van Lann, N. (1993). Buffalo
dance: A Blackfoot legend. Illustrated by B. Vidal. |
|
|
|
A graceful and attractive retelling of a Native-American
myth explains the origin of the buffalo dance of the Blackfoot people and the
contribution of one brave young woman to the welfare of her tribe.
Illustrated with handsome colored-pencil illustrations, the tale of the
relationship between hunter and prey is marked by a clear, poetic text and close
attention to source material. (Horn Book,
1994) |
|
|
|
Van Laan, N. (1999). Rainbow
crow. Illustrated by B. Vidal. |
|
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|
When the weather changes and the ever-falling snow
threatens to engulf all the animals, it is Crow who flies up to receive the
gift of fire from the Great Sky Spirit. (amazon.com) |
|
|
|
Young, E. (1993). Moon
mother: A Native American creation tale. |
|
|
|
When the creator of the first men departs with his
newfound spirit wife -- who becomes the moon -- they leave their baby
daughter behind, and she grows up to be the first woman. Young’s technique of
concealing one image within another is especially appropriate in his
expressive illustrations for this moving adaptation of a tale from an
unspecified tribe. (Horn Book, 1994) |
Biography:
|
Adler, D. A. (2001). A
picture book of Sacagawea. Illustrated by D. Brown. |
|
|
|
This picture book tells the story of Sacagawea’s life,
courage, and spirit as a captured Shoshone taken far from her people.
Colorful illustrations complement the story of an important figure in our
history. (Notable Social Studies Trade Books
for Young People, 2001, p. 4) |
|
|
|
Adler, D. A. (1993). A
picture book of Sitting Bull. Illustrated by S. Byrd. |
|
|
|
A brief biography of the Sioux chief who worked to
maintain the rights of Native Americans and who led the defeat of General
Custer at the Little Big Horn in 1876. (card
catalog) |
|
|
|
Bruchac, J. (1998). A
boy called Slow: The true story of Sitting Bull. Illustrated by R.
Baviera. |
|
|
|
Longing for a more powerful name than Slow which he is
called because he is slow in everything, a young Sioux proves his courage
during a battle with enemy Crow and is given a new name, Sitting Bull, in
honor of his bravery. (amazon.com) |
|
|
|
Bruchac, J. (2000). Crazy
Horse’s vision. Illustrated by S. D. Nelson. |
|
|
|
Joseph Bruchac tells the compelling story of how a young
boy named Curly seeks a vision in the hope of saving his people - and grows
into the brave and fierce warrior Crazy Horse. Sioux artist S. D. Nelson’s
paintings, in the traditional ledger style of the Plains Indians, evokes the
drama and the tragedy of this important American figure. (card catalog) |
|
|
|
Bulla, C. R. (1990). Squanto:
Friend of the pilgrims. Illustrated by R. Williams. |
|
|
|
Tells of the adventurous life of the Wampanoag Indian,
Squanto. (amazon.com) |
|
|
|
Cwiklik, R. & Baird,
W. D. (1993). Tecumseh:
Shawnee rebel. |
|
|
|
Documents the struggle of the great |
|
|
|
Eisenberg, L. (1991). The
story of Sitting Bull: Great Sioux chief. Illustrated by D. Rickman. |
|
|
|
From a very young age, Sitting Bull demonstrated bravery
and determination, qualities that would make him an exceptional leader of the
Sioux Nation. He fought long and hard to keep his people off the
reservations, and his victory over Custer at Little Big Horn will never be
forgotten. His remarkable story is brought to life for young readers in this
lively biography. (amazon.com) |
|
|
|
Ferris, J. (1991). Native
American doctor: The story of Susan LaFlesche Picotte. |
|
|
|
A biography of the young |
|
|
|
Freedman, R. (1992). Indian
chiefs. |
|
|
|
Biographies of six Western Indian chiefs who led their people in a historic moment of crisis, when a decision had to be made about fighting or cooperating with the white pioneers encroaching on their grounds. (card catalog) |
|
|
|
Greene, C. (1989). Pocahontas:
daughter of a chief. |
|
|
|
A brief biography of the American Indian princess who as
a young girl befriended John Smith, saving him from death at the hands of her
father, and later was very helpful to the colonists at Jamestown. (card catalog) |
|
|
|
Laribee, E. (1998). I
am Native American (Our American Family Series). |
|
|
|
No synopsis available. |
|
|
|
Penner, R. (1994). The
true story of Pocahontas. Illustrated by P. Johnson. |
|
|
|
An easy-to-read biography of Pocahontas follows the life
of the Powhatan Indian girl who played a key role in the early history of |
|
|
|
Rinaldi, A. (1999). My
heart is on the ground: The diary of Nannie Little Rose, a Sioux girl.
|
|
|
|
Acclaimed historical novelist Ann Rinaldi makes her
"Dear |
|
|
|
Rowland, D. (1989). The
story of Sacajawea, guide to Lewis and Clark. |
|
|
|
This book draws an accurate portrait of the woman who
helped forge the trail across the West. Sold as a slave to a fur trader,
Sacajawea later became his wife and met Lewis and Clark. (amazon.com) |
|
|
|
Rumford, J.
(2004). Sequoyah:
The Cherokee man who gave his people writing. Houghton. (1-4) |
|
|
|
This fascinating biography,
presented in a tall, slim format, introduces Sequoyah, who decided in the
early 1800s to give the Cherokee language a written form. Creating 84 symbols
for sounds, he began to teach the language to others in the Cherokee nation.
This technique spread, enabling the publication of books and newspapers, and
it survives today. Below the paragraphs of English text, appearing usually on
the book’s right-hand pages, is a translation into the Cherokee language.
Like the giant sequoia trees that appear in the framework story, the
illustrations on the facing pages are vertical and stately. Created in ink,
watercolor, pastel, and pencil, the unusual artwork has a primitive quality
that reflects the strength and deceptive simplicity of the text. Back matter
includes a chart showing the Cherokee syllabary, a discussion of Sequoyah and
his accomplishment, and a time line of his life. (Booklist) |
|
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|
|
|
Profiles the life of the young Shoshoni woman Sacagawea,
who served as an interpreter and guide for the Lewis and Clark expedition at
the beginning of the nineteenth century. (Borders.com) |
|
|
|
Schwartz, M. &
Baird, W. D. (1992). Geronimo:
Apache warrior. |
|
|
|
Examines the life and career of the Apache warrior
chief. (card catalog) |
|
|
|
Stevenson, A. (1996). Sitting
Bull: Dakota boy. Illustrated by R. Jenney. |
|
|
|
Sitting Bull was admired by friends and enemies alike
for his courage, strength, intelligence, and humanity. A great Sioux chief,
he fought to preserve his people’s homeland and way of life from the
encroachment of the white man. (amazon.com) |
|
|
|
Tallchief, M. &
Wells, R. (1999). Tallchief:
America’s prima ballerina. Illustrated by G. Kelley. |
|
|
|
From her early years on an Indian reservation in
Oklahoma to her dance training in Los Angeles to her departure for New York
and a professional career, the fascinating story of Maria Tallchief,
America’s prima ballerina, is sure to captivate the hearts of young readers
and dance lovers alike. (amazon.com) |
|
|
|
Turner, A. W. (1999). The
girl who chased away sorrow: The diary of Sarah Nita, a Navajo girl, New
Mexico, 1864. |
|
|
|
In her first book
for the Dear |
HISTORICAL
FICTION:
|
Ackerman, N. (2002). Spirit
Horse. |
|
|
|
Running Crane’s mother has married a member of the
Kainaa band, and he still feels like an outsider. When he is unexpectedly
chosen to participate in a horse raid on the Snake People he sees it as an
opportunity to prove himself. The unrelenting bullying and hostility from
Weasel Rider, another boy chosen for the raid, makes everything more
difficult. But when the raid goes wrong, Running Crane finds himself lost on
the prairie and driven by dreams to find and tame the legendary Spirit Horse.
(Kirkus Reviews, 1998) |
|
|
|
Bierhorst, J. (2001). Is
my friend at home? Pueblo fireside tales. Illustrated by W. Watson. |
|
|
|
Bierhorst and Watson, who teamed up for Doctor Coyote (1987), are back together for this retelling of seven
trickster tales. The setting is a Hopi desert cliff dwelling on a winter
evening, when “the Sun climbs the long ladder down to the underworld” and
people sit around campfires and tell stories. In the stories the animals both
help and trick one another, revealing some surprises--for example, why the
gullible Coyote has short ears and how Snake lost her only friend. Watson’s
paintings, which set cartoonlike creatures against a glowing desert landscape
rendered in the golds and purples of evening light, strike exactly the right
note for the tales. (Booklist) |
|
|
|
Bruchac, J. (2002). The
arrow over the door. |
|
|
|
In the year 1777, a group of Quakers and a party of
Indians have a memorable meeting. (amazon.com) |
|
|
|
Bruchac, J. (1998). Children
of the longhouse. |
|
|
|
Tekwaarathon (known now as lacrosse) is used to settle a
dispute between two boys in this novel set in a fifteenth-century Mohawk
village. Eleven-year-old Ohkwa'ri gains the grudging respect of his
archrival, an older boy, and comes to realize that, as his sister has told
him, sometimes things do happen that you did not expect. Bruchac provides an
interesting afterword on the people of the longhouse. (Horn Book, 1996) |
|
|
|
Bruhac, J.
(2006). Hidden roots. Scholastic. (5-9) |
|
|
|
Eleven-year-old Sonny and his
mother can’t predict his father’s sudden abusive rages. Jake’s anger only
gets worse after long days at the paper mill -- and when Uncle Louis appears.
Louis seems to show up when Sonny and his mother need help most, but there is
something about his quiet wisdom that only fuels Jake’s rage. Through an
unexpected friendship with a new school librarian, Sonny gains the strength
to stand up to his father, and to finally confront his mother and uncle about
a secret family heritage that may be the key to his father’s self-hatred. (amazon.com) |
|
|
|
Bruchac, J. (2000). Squanto’s
journey: The story of the first Thanksgiving. Illustrated by G. Shed.
|
|
|
|
This
first-person text recounts the story of the first Thanksgiving from a Native
American viewpoint. Squanto’s tale is told with respect and dignity, without
glossing over the more difficult aspects of his life or the relationship
between the native inhabitants and the colonists. The gouache paintings
display a proud Native American past. (Horn Book, 2001) |
|
|
|
Carbone, E.
(2006). Blood
on the river: James Town, 1607. Viking Juvenile. (5-8) |
|
|
|
Following Stealing Freedom (1998)
and Storm Warriors (2001),
both set in the nineteenth century, Carbone dips further back in |
|
|
|
Carvell, M.
(2005) Sweetgrass
basket. Dutton. (5-6) |
|
|
|
In prose poetry and
alternating voices, Marlene Carvell weaves a heartbreakingly beautiful story
based on the real-life experiences of Native American children. Mattie and
Sarah are two Mohawk sisters who are sent to an off-reservation school after
the death of their mother. Subject to intimidation and corporal punishment,
with little hope of contact with their father, the girls are taught menial
tasks to prepare them for life as domestics. How Mattie and Sarah protect
their culture, memories of their family life, and their love for each other
makes for a powerful, unforgettable historical novel. (amazon.com) |
|
|
|
Cherry, L. (2002). A
river ran wild: An environmental history. |
|
|
|
An environmental history of the Nashua River, from its
discovery by Indians through the polluting years of the Industrial Revolution
to the ambitious clean-up that revitalized it. (card
catalog) |
|
|
|
Cornelissen, C. (1999). Soft
rain: A story of the Cherokee Trail of Tears. |
|
|
|
Set in 1838, a tale captures the struggles of a young
Native American girl who is separated from her family and forced to march the
Trail of Tears alongside other Cherokee people in a mandated relocation
process by the |
|
|
|
Erdrich, L. (2002). The
birchbark house. |
|
|
|
In the first of a cycle of novels partly based on her
own family history, Erdrich offers a compelling and original saga, told from
the point of view of a young Ojibwa girl on an island in |
|
|
|
Erdrich, L. (2006). The
game of silence. |
|
|
|
Her name is
Omakayas, or Little Frog, because her first step was a hop, and she lives on
an island in In this captivating sequel to National
Book Award nominee The Birchbark
House, Louise Erdrich continues the story of Omakayas and her family. (amazon.com) |
|
|
|
Hudson, J. (2000). Dawn
rider. |
|
|
|
Kit Fox knows she can learn to ride the horse her tribe
has captured from their enemies. But the elders object, so the girl learns in
secret. Then the tribe is attacked, and it’s
up to Kit to save her people. (Borders.com) |
|
|
|
Hunter, Sara H. (1996). The
unbreakable code. Illustrated by J. Miner. |
|
|
|
John’s mother is getting married and he has to leave the
reservation. John’s grandfather tells him he has the special unbreakable code
to take with him. This story portrays the quiet pride of a Navajo code talker
as he explains to his grandson how the Navajo language, faith and ingenuity
helped win World War II. (amazon.com) |
|
|
|
Kulinski, K. (1995). Night
Bird: A story of the Seminole Indians. Illustrated by J. Watling. |
|
|
|
In 1840 Night Bird, whose clan of Seminole Indians is
fighting to preserve its traditional way of life in |
|
|
|
McGraw, E. J. (1986). Moccasin
Trail. |
|
|
|
A pioneer boy, brought up by Crow Indians, is reunited
with his family and attempts to orient himself in the white man’s culture. (card catalog) |
|
|
|
O’Dell, S. (1987). Island
of the Blue Dolphins. Illustrated by T. Lewin. |
|
|
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Left alone on a beautiful but isolated island off the
coast of California, a young Indian girl spends eighteen years, not only
merely surviving through her enormous courage and self-reliance, but also
finding a measure of happiness in her solitary life. (card catalog) |
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O’Dell, S. (1992). Sing
down the moon. |
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The Spanish slavers were an ever present threat to the
Navajo way of life. This historical novel is about a young Navajo girl who is
kidnapped and enslaved by Spaniards and then rescued by her husband-to-be. (amazon.com) |
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O’Dell, S. (1996). Zia.
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A young Indian girl, Zia, caught between the traditional
world of her mother and the present world of the |
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Porter, P. (2004). Sky.
Illustrated by M. J. Gerber. Groundwood. (3-5) |
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Eleven-year-old |
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Roop, P. (1994). Ahyoka
and the talking leaves. |
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Ahyoka helps her father Sequoyah in his quest to create
a system of writing for his people. (card
catalog) |
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Two young Maidu Indian brothers sent to live at a
government-run Indian residential school in |
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Stroud, V. A. (1994). Doesn’t
fall off his horse. |
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Saygee’s great-grandfather tells her the story of how he
got his name, Doesn't Fall Off His Horse. (card
catalog) |
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Tingle, T.
(2008). Crossing
Bok Chitto: A Choctaw tale of friendship and freedom. Illustrated by J. R. Bridges. Cinco Puntos
Press. (2-4) |
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Dramatic, quiet,
and warming, this is a story of friendship across cultures in 1800s |
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Waters, K. (1996). Tapenum’s
day: A Wampanoag Indian boy in Pilgrim times. Photographs by R.
Kendall. |
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Chosen to become a special warrior prince in 1627,
Tapenum prepares himself for the great honor by hunting, fishing, and sharing
a day with friends and family, in a story that is complemented by photographs
of Plymouth Plantation. (amazon.com) |
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Whelan, G. (1987). Next
spring an oriole. Illustrated by P. Johnson. |
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In 1837 ten-year-old Libby and her parents journey by
covered wagon to the |
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Whelan, G. (1996). Night
of the full moon. Illustrated by L. Bowman. |
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In 1840, Libby, living with her family on the |
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Whelan, G. (1997). Shadow
of the wolf. Illustrated by T. Meers. |
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Libby Mitchell is reunited with her friend Fawn after
her family relocates to an area next to Fawn’s Indian camp, and when greedy
men try to cheat the Indians out of their land, Libby helps Fawn devise a
plan to prevent this from happening. (amazon.com) |
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Whelan, G. (1997). The
Indian School. Illustrated by G. Dellosso. |
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When shy, ten-year-old Lucy comes to live with her aunt
and uncle at their mission school, she’s surprised at the number of harsh
rules and restrictions imposed on the children. Why, she wonders, should the
Indians have to do all the changing? And why is her aunt so strict with them?
Then a girl called Raven runs away in protest, and Lucy knows she must
overcome her timidity and stand up to her aunt—no matter what the
consequences. Once again Gloria Whelan has taken a chapter from our past and
transformed it into gripping, accessible, historically accurate fiction. (amazon.com) |
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Wyss, T. H.
(2005). Bear
Dancer: The story of a Ute girl.
McElderry. (4-6) |
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Elk Girl, sister
of a Ute chief, lives a traditional life with her tribe high in the |
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Yolen. J. (1996). Encounter.
Illustrated by D. |
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An old Salvadoran man recounts the story of his first
encounter with the white men who landed on the island in 1492 as a warning to
people everywhere of the threat of invasion and conquest that destroyed his
people and culture. (amazon.com) |
POETRY:
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Baylor, B. (1993). Desert
voices. Illustrated by P. Parnall. |
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Desert inhabitants describe the beauty of their home. (card catalog) |
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Baylor, B. (1986). Hawk,
I’m your brother. Illustrated by P. Parnall. |
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Determined to learn to fly, Rudy adopts a hawk hoping that their kinship will bring him closer to his goal. (card catalog) |
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Baylor, B. (1992). One
small blue bead. Illustrated by R. Himler. |
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A small boy, the member of a hunter-gatherer tribe
living long ago, begins to suspect that the earth is inhabited by others like
him, and one day he finds his suspicions confirmed when he meets a little boy
from another group. (amazon.com) |
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Baylor, B. (1987). The
desert is theirs. Illustrated by P. Parnall. |
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Simple text and illustrations describe the
characteristics of the desert and its plant, animal, and human life. (card catalog) |
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Baylor, B. (1987). When
clay sings. |
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The daily life and customs of prehistoric southwest
Indian tribes are retraced from the designs on the remains of their pottery. (card catalog) |
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Bierhorst, J. (1994). On
the road of stars: Native American night poems and sleep charms.
Illustrated by J. Pedersen. |
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A collection of Native American night poems, sleep
charms, and other special night songs intended to soothe, heal, bring dreams,
or make sleep irresistible. (card catalog) |
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Bruchac, J. (1998). The
earth under Sky Bear’s feet: Native American poems of the land.
Illustrated by T. Locker. |
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In the companion to Thirteen
Moons on Turtle’s Back, Sky
Bear, the great storytelling bear made of stars, tells of nature’s nighttime
wonders and Native American legends from his post in the sky. (amazon.com) |
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Bruchac, J. (1997). Thirteen
moons on turtle’s back: A Native American year of moons. Illustrated
by T. Locker. |
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Celebrates the seasons of the year through poems from
the legends of such Native American tribes as the Cherokee, Cree, and Sioux. (card catalog) |
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De Coteau Orie, S.
(1996). Did
you hear wind sing your name?: An Oneida song of spring. Illustrated
by C. Canyon. |
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Pictures and words pay homage to the |
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Grossman, V. (1995). Ten
little rabbits. Illustrated by S. Long. |
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This well-designed counting book features rabbits who
celebrate the traditions of native Americans. Though the simple rhyming text
refers to neither native Americans nor rabbits, an afterword shows clearly
that each double-page spread depicts the clothing and practices of a
different tribe. (Horn Book, 1991) |
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Lee, F., editor. (1999).
When
the rain sings: Poems by young Native Americans. |
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A collection of
poems written by Native Americans ranging in age from seven to seventeen
gives passionate voice to their experiences both past and present.
Representing eight tribes, the poems were primarily written in response to
pictures of indigenous artifacts and archival photos from the |
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Longfellow, H. W.
(1996). Hiawatha.
Illustrated by S. Jeffers. |
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An abridgement of the epic poem describing the life and
deeds of a legendary Native American brave. (card
catalog) |
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Philip, N. (1996). Earth
always endures: Native American poems. Photographs by E. S. Curtis. |
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More than forty duotone photographs by the legendary
photographer and a collection of sixty poems come together to form an
insightful portrait of the world of Native Americans, their beliefs,
lifestyles, traditions, and views on many various topics. (amazon.com) |
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Swann, B. (1998). Touching
the distance: Native American riddle poems. Illustrated by M. Rendom.
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Children who like guessing games may enjoy this
picture-book collection of 14 succinct riddle-poems. Each selection is
accompanied by a picture of an unusual collage construction, which hints at
the answer to the riddle. Some of the answers are fairly easy to guess, but
many are challenging. (Booklist) |
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Erdrich, L. (1999). Grandmother’s
pigeon. Illustrated by J. Lamarche. |
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A year after Grandmother hitches a ride on the back of a
porpoise, her family finds a nest of three eggs in her bedroom. The eggs
hatch, and the family soon discovers that the squabs belong to an extinct
species of passenger pigeons. Rich, expressive illustrations rendered in
acrylic and colored pencil perfectly complement the poignant work of magic
realism. (Horn Book, 1996) |
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Momaday, N. S. (1999). Circle
of wonder:A Native American Christmas Story. |
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A mute Indian child has an extraordinary experience one
Christmas when, following a figure who seems to be his beloved grandfather
who has died, he becomes part of a circle in which he, animals, nature, and
all the world join in a moment of peace and good will. (card catalog) |